2019 Tag

“The Farewell” Reviewed: An Honorable and Honest Deception

It’s not easy saying goodbye.    Writer-director Lulu Wang confronts this uncomfortable truth, ironically enough, through a series of lies and deceptions in “The Farewell” (A24), her incredibly poignant ode to the shifting nature of family, culture and life itself.   Inspired by Wang’s own family experience (or, “based on an actual lie,” as the opening title card playfully puts it), “The Farewell” follows a Chinese-American family who decides not to tell their grandmother that she’s been diagnosed with...

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“The Last Black Man in San Francisco” Reviewed: Reframing the Cinematic Superhero

“People are more than just one thing.”   When a displaced and grieving man by the name of Jimmie Fails admits this simple truth, it feels like a moment of genuine epiphany that, sadly, will never seep into his city’s collective consciousness. In that moment, Fails is, in a way, set free because he is no longer defining himself by a single story or a single purpose. But at the same time, he knows that his own...

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“Toy Story 4” Reviewed: Embracing a Toy’s Impermanence

When “Toy Story 4” (Pixar/Disney) was first announced back in November of 2014, the response from fans could best be described as cautious curiosity, rather than full-blown anticipation.    And for good reason.    After all, the creative team at Pixar had already closed the book on their most beloved film franchise, with the heartrending climax of “Toy Story 3” (2010) bringing every man, woman and child in the world to tears. Did there really need to be a...

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